
Nancy on Sunday with her musician daughter Suzy who organized the whole she-bang. More than 40 years later she looks exactly the same.
What's extraordinary about Nancy's compositions are their range - from sharply satirical and political to hauntingly true about family life and failed love - "In love with the lead," "Bad Boy," the funny, moving song quoting her daughters' embarrassment about their mother - to Broadway showbizzy, as in the songs from her musical "Gilbert and Anne," to simply hilariously quirky, as in "Les Belles Fesses" or her song about the woman with a 40 pound cyst. Who else would read that in the paper and write a song about it??
Best of all, the singers were often the next generation, performers from Wexford Collegiate, where Nancy's daughters studied, so beautiful, so young - just a little younger, in fact, than Nancy and I were when we toured in 1972. Then a man from Argentina told us that when he and his compatriots were in Toronto trying to rally political support to fight the junta, Nancy wrote a song that became a union ballad sung across the country and in Argentina too. Didn't know that. And we all sang along with "Gracias a la Vida," the classic Chilean Violeta Para song that Nan translated and often sang.
I was at a table with friends I've had since the early 70's - and Gillian there too, friend since Halifax, 1958. It was a fantastic night.
Yesterday, my daughter came over to work. I need help organizing the chaos of my life, especially the basement where everything is piled, and she is an expert organizer. We spent two hours and I'm a new woman. We now have a date every Monday. Talk about win/win for me - I get time with my girl and an organized house too. At one point, I showed her a decade's worth of old daytimers and said, "I don't know why I keep these, but I do," and she said, "Mum, I hope it's okay if I say that if you don't get around to throwing them out, one day very, very far in the future, I will."
It's comforting to know that yes, without a moment's hesitation, she will.
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