(A segue into why church mice are poorer than other mice - I suppose because no one eats in church and so there's nothing for them there. Do you think?)
Our conversation was rich and wide-ranging, with much discussion of creative endeavours - "What's your process?" Alissa reclusive and single-minded when writing a first draft, Kathryn raising three sons, teaching and grabbing any spare moment to work. We talked a lot about how to handle events in the classroom, such as writing students who don't listen to critiques or want to rewrite. For artists who work in solitude inside their own minds and imaginations, the companionship was a treat, and so were the lasagna and honey balls.
Last night I went to the home of my friend Suzette who's a screenwriter about to head to L.A., with a mutual friend Jessica who owns a gallery of modern art. We met as teenagers in university days and have much to discuss - stories of our other friends and classmates, and of course house prices and how to survive the recession. We were going to see "Defiance", aka "Jews in the Woods," but the snow was tumbling thick and fast, so Suzette, who's a member of the Writer's Guild of America, played us her copy of "Milk" on widescreen TV while Jessica and I luxuriated in her leather reclining chairs. Now that's the way to watch a movie, particularly one as superb as this. A terrific film - highly recommended, for its skilful presentation of historical reality but also for the fantastic performances.
I spoke to the kids in Halifax about the time in 1959 when my family was refused entry into the Waegwoltic Club because my father was a Jew. Hard to believe now, just as it's hard to believe a time when there was such rampant, violent, overt prejudice against gay men and women. And yet - not that long ago and bubbling beneath the surface, still.
The whole time I was writing this, I could hear that very Canadian sound outside - a shovel, over and over, lifting snow.
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