A bike riding weekend in the sun - on Saturday, after buying apples at the market, off to Corktown Common, a great new park at the foot of River Street - with a great playground, Eli, here we come. And on Sunday morning, a long ride on the Don Valley Trail in t-shirt, jeans and sandals, knowing that soon, oh so soon, this will not be possible.
I know I always say this but I'll say it again - these scenes are a twelve minute bike ride from the financial heart of this great city!
Then straight to a funeral at the Necropolis nearby for neighbour Larry Lake, a musician and musical mentor at the CBC. Our little bit of Sackville Street was heavily represented. Larry's much younger wife died suddenly a few years ago, so their daughter is now an orphan at 15. But, we found out afterwards, very well looked after and doing fine, considering. A collective sigh of relief at this end of Sackville Street.
And last night, yes, I watched the season finale of "Breaking Bad," even though, having not watched more than a few minutes for the entire five seasons it was on, the import of what was happening was lost on me. It was great drama, though - just like Greek tragedy or Shakespeare, the end of a tragically flawed figure amid lots and lots of deaths. For some reason, I can't get involved with most American series - even "Sopranos" or "Mad Men," any of them, except "The West Wing," which was as much an addiction as "Downton" or Jon Stewart. Otherwise, I skew to the Brits.
Class starts at U of T this week - a nice full class, and my home class too. Recently a friend and I were talking about my work and she asked how I was going to fictionalize a certain story. Fictionalize?! I cried, in horror, thinking, how little she knows me if she thinks I'll write fiction.
Onward - to the truth.
Monday, September 30, 2013
Saturday, September 28, 2013
postscript
8 a.m., a beautiful, silent Saturday morning; soon I'll go to the market and buy too many apples. Can't wait for apples.
But first ... oh I slept well last night, for the first time in a while. Partly because I finally cleaned up my room, put away the piles of clothes and papers, and felt welcomed in a tidy space. But also because I've left my existential crisis behind. Or whatever it was. A crisis of confidence. As in, I lost a lot of it, for some reason.
And I didn't just go through it, I went through it in front of you.
The wonder of a blog - the blessing, the danger. Should I go back and take all that whiny stuff out? I'm a teacher, after all, I'm not supposed to sound like my students, whimpering with fear about their work. But no, that's the importance of this forum, its immediacy and honesty. So in it stays.
And on I move. I received a report yesterday from my friend Margaret in Vancouver, who has read and edited my work for many years. She had concrete suggestions for improvement. In they will go.
As for immediacy and honesty, boy, has David Gilmour learned a lesson. He tossed off that interview, being facetious, and now - long articles in the papers, the university refuting his words, and yesterday, a rally to denounce him. He is up for a Giller prize, which is now, apparently, in jeopardy. Look, I understand what he was saying - that as a teacher, he feels he has to remain true to what inspires him, and what inspires him is male writers at the top of their game. But he stated it badly, sounded condescending, pompous and sexist, and now the wolves are out for blood.
And in a poll reported yesterday, Mayor Rob Ford received 49% approval. Up from only 44% a few months ago. A parallel universe exists out there, where Mayor Ford is doing a good job. I don't live in that universe, though. I live in Toronto.
But first ... oh I slept well last night, for the first time in a while. Partly because I finally cleaned up my room, put away the piles of clothes and papers, and felt welcomed in a tidy space. But also because I've left my existential crisis behind. Or whatever it was. A crisis of confidence. As in, I lost a lot of it, for some reason.
And I didn't just go through it, I went through it in front of you.
The wonder of a blog - the blessing, the danger. Should I go back and take all that whiny stuff out? I'm a teacher, after all, I'm not supposed to sound like my students, whimpering with fear about their work. But no, that's the importance of this forum, its immediacy and honesty. So in it stays.
And on I move. I received a report yesterday from my friend Margaret in Vancouver, who has read and edited my work for many years. She had concrete suggestions for improvement. In they will go.
As for immediacy and honesty, boy, has David Gilmour learned a lesson. He tossed off that interview, being facetious, and now - long articles in the papers, the university refuting his words, and yesterday, a rally to denounce him. He is up for a Giller prize, which is now, apparently, in jeopardy. Look, I understand what he was saying - that as a teacher, he feels he has to remain true to what inspires him, and what inspires him is male writers at the top of their game. But he stated it badly, sounded condescending, pompous and sexist, and now the wolves are out for blood.
And in a poll reported yesterday, Mayor Rob Ford received 49% approval. Up from only 44% a few months ago. A parallel universe exists out there, where Mayor Ford is doing a good job. I don't live in that universe, though. I live in Toronto.
Friday, September 27, 2013
Pixar’s 22 Rules of Storytelling
Pixar’s 22 Rules of Storytelling
#1: You admire a character for trying more than for their successes.
#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.
#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
#17: No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.
quitting the slough of despond
Wow - did THAT feel like a long dark tunnel. Or maybe a short dark tunnel. In despair yesterday, I called dear friend Chris in Vancouver, and after listening to me babble, he said, "Where's the confident woman I know? The insecure minor partner has taken over the business!"
She did. I forget she's there, sometimes, she who used to have so much more power over me, the one who thinks herself talentless, lazy, undeserving. She's much quieter now, but she's there. Finally, Chris got me to say to myself what I say all the time to my self-deprecating, fearful students: "Who gains when you are silenced? If you don't allow yourself to tell your story, is the world a better place?"
All this because one publisher turned me down? Well, yes, but more, it's this stage of the authorial process that I've only been through once before and have, like the pain of labour, nearly forgotten. This is a kind of labour - you've gestated this mysterious creature for a long time, in darkness and solitude, and now it's time to bring it forth into the light. But how? Where and when? It can take years. And I'm an impatient person. Plus - when this manuscript is rejected, it's not just my research and my writing, as with my first book. It's my very life, my young self, her thoughts and words.
So, a few days, a week maybe, of feeling fearful and lousy, which I'm sure led my body to follow suit. I get back pain from tension, and my back was killing me. I wrote to friend Laurel, "You'd think after all those years as an actress and then as a writer, that I'd be used to rejection." And she wrote back, "WHO GETS USED TO REJECTION?"
This is what provoked the crisis: Yesterday morning, I found, to my astonishment, that an old friend had just taken a job at the top of the very press I was going to contact.
I didn't want to jeopardize our friendship, but at the same time, it'd be madness not to contact her. I emailed, explaining the coincidence and simply asking for the right name to send the work to. And then I collapsed with anxiety on the phone to Chris. While we were talking, she wrote back, telling me to send the manuscript to her and she'd forward it to the head of the firm. Incredible - exactly what every writer wants, a friend in the right place. Worse crisis. Complete fear. If they don't want it, it's over.
Chris talked me down. I sent her the ms. And then ran across town to help my daughter with Eli, who has a cold. We took his broom and his lawn mower for a walk down some back alleys, stopping to look up inside every drainpipe. I didn't know drainpipes were fascinating, but now I do. Also squirrels, amazingly interesting, and airplanes, and leaves, and shadows, and dirt. Dirt is really interesting.
And came home to say to myself, Oh give it a rest. If they don't want it, I'll incorporate whatever editorial notes they have for me and try another press, or I'll self-publish. What's important now is that I start work on something else. Enough time in this melodramatic place. Onward.
Thank you to the beloved friends who called or wrote. It means so much, when you have stood yourself in a corner and are busy smacking yourself in the face, to hear a calm voice.
She did. I forget she's there, sometimes, she who used to have so much more power over me, the one who thinks herself talentless, lazy, undeserving. She's much quieter now, but she's there. Finally, Chris got me to say to myself what I say all the time to my self-deprecating, fearful students: "Who gains when you are silenced? If you don't allow yourself to tell your story, is the world a better place?"
All this because one publisher turned me down? Well, yes, but more, it's this stage of the authorial process that I've only been through once before and have, like the pain of labour, nearly forgotten. This is a kind of labour - you've gestated this mysterious creature for a long time, in darkness and solitude, and now it's time to bring it forth into the light. But how? Where and when? It can take years. And I'm an impatient person. Plus - when this manuscript is rejected, it's not just my research and my writing, as with my first book. It's my very life, my young self, her thoughts and words.
So, a few days, a week maybe, of feeling fearful and lousy, which I'm sure led my body to follow suit. I get back pain from tension, and my back was killing me. I wrote to friend Laurel, "You'd think after all those years as an actress and then as a writer, that I'd be used to rejection." And she wrote back, "WHO GETS USED TO REJECTION?"
This is what provoked the crisis: Yesterday morning, I found, to my astonishment, that an old friend had just taken a job at the top of the very press I was going to contact.
I didn't want to jeopardize our friendship, but at the same time, it'd be madness not to contact her. I emailed, explaining the coincidence and simply asking for the right name to send the work to. And then I collapsed with anxiety on the phone to Chris. While we were talking, she wrote back, telling me to send the manuscript to her and she'd forward it to the head of the firm. Incredible - exactly what every writer wants, a friend in the right place. Worse crisis. Complete fear. If they don't want it, it's over.
Chris talked me down. I sent her the ms. And then ran across town to help my daughter with Eli, who has a cold. We took his broom and his lawn mower for a walk down some back alleys, stopping to look up inside every drainpipe. I didn't know drainpipes were fascinating, but now I do. Also squirrels, amazingly interesting, and airplanes, and leaves, and shadows, and dirt. Dirt is really interesting.
And came home to say to myself, Oh give it a rest. If they don't want it, I'll incorporate whatever editorial notes they have for me and try another press, or I'll self-publish. What's important now is that I start work on something else. Enough time in this melodramatic place. Onward.
Thank you to the beloved friends who called or wrote. It means so much, when you have stood yourself in a corner and are busy smacking yourself in the face, to hear a calm voice.
Thursday, September 26, 2013
David Gilmour doesn't read women
If you'd like a little controversy with your morning coffee, as well as a very large ego on display, here it is, an interview with the novelist David Gilmour, who teaches literature at U of T and doesn't teach anything by women, because he doesn't like a single female writer except Virginia Woolf. I hope nobody shows this to Alice Munro - our Chekhov - though I'm sure she'd just laugh. Read the comments afterwards, they're much better than the interview. For example:
Imagine a professor in any other field only teaching the stuff s/he loves: first year biology Prof: "I only teach about dolphins, bison, and platypus. Other organisms don't interest me. Ecosystems don't interest me..."
Can he just call his class 'Straight Bro Dude Wankfest Royale' and make it a cage match? At least the outfits might keep it from being totally boring.
http://www.randomhouse.ca/hazlitt/blog/david-gilmour-building-strong-stomachs
Imagine a professor in any other field only teaching the stuff s/he loves: first year biology Prof: "I only teach about dolphins, bison, and platypus. Other organisms don't interest me. Ecosystems don't interest me..."
Can he just call his class 'Straight Bro Dude Wankfest Royale' and make it a cage match? At least the outfits might keep it from being totally boring.
http://www.randomhouse.ca/hazlitt/blog/david-gilmour-building-strong-stomachs
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